花环夫人
Nolan's 'The Odyssey' packs IMAX theaters as fans take high-speed trains for better screens_我的网站
一 | 播放 下一个 打开循环播放 00:00 / 00:00 倍速 3.0X 2.0X 1.5X 1.25X 1.0X 0.75X 0.5X 多音轨 AirPlay 0 静音播放中，点击 恢复音量 画中画 网页全屏 全屏 你可以 刷新 试试 视频信息 1.33.6 播放信息 上传日志 调试信息 [X] 视频ID VID - 播放流水 Flowid - 播放内核 Kernel - 显示器信息 Res - 帧数 - 缓冲健康度 - 网络活动 net - 视频分辨率 - 编码 Codec - mystery mystery - 按住画面移动小窗 21世纪经济报道记者柳宁馨 常州报道 一根碳纤维拉索，正成为我国重大基础设施建设的新材料支撑。
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Meanwhile, domestic hit Once Upon a Time in the Middle East has grossed more than 850 million yuan ($126 million), adding to the intense competition for audiences during China's packed summer movie season.
The Odyssey, which had already held limited previews in China, had grossed an estimated 240 million yuan as of Sunday, according to ticketing platform Maoyan. Its projected box office is expected to surpass 700 million yuan, potentially exceeding the 452million yuan Oppenheimer grossed in the Chinese mainland.
The Odyssey is the first feature film shot entirely using IMAX cameras and is being presented in IMAX 70mm at select theaters. Its large-format cinematography and expansive visual style have made the IMAX experience a major selling point for Chinese moviegoers.
Demand for premium IMAX screenings was already intense during the film's previews, with some theaters reporting full occupancy. After its official release, that enthusiasm has shown no sign of easing.
In Beijing, one longtime Nolan fan had been following the film since before its release and had repeatedly tried to secure a seat at the China National Film Museum's IMAX GT theater, one of the most sought-after formats for the movie.
Unable to get a ticket, the moviegoer eventually chose another well-reviewed IMAX theater and paid 180 yuan for a seat, three times the price of a normal seat, that was not particularly well positioned.
The theater was nearly full when the audience arrived, the moviegoers were largely quiet as they waited for the screening to begin. But the large-format presentation delivered the immersive audiovisual experience the audience had been anticipating.
Another moviegoer, Lin Xiao, managed to attend an IMAX screening during the previews and also noted the high attendance. She told the Global Times that audiences had already formed a long line outside the theater before the movie began.
On Chinese lifestyle platform Xiaohongshu, or RedNote, some moviegoers have posted about traveling to other cities because their hometowns do not have IMAX GT screenings. Some have even taken high-speed trains specifically to watch The Odyssey in what they consider a better theater.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that The Odyssey's strong reception and high attendance in China demonstrate that high-quality content, combined with the rare and highly immersive experience offered by premium formats such as IMAX GT, remains a key competitive advantage for cinemas.
The film's strong quality, coupled with its cutting-edge large-format presentation, creates a theatrical experience that cannot be easily replicated at home, showing that when cinemas can offer a sufficiently distinctive immersive experience, the big screen retains its unique social and ceremonial appeal, with audiences willing to pay a premium for such exclusivity, said Zhang.
However, film critic Liu Nandou offered a restrained forecast, predicting its Chinese mainland gross at 300 million to 800 million yuan ($41 million to $110 million).
"Nolan's films have a ceiling," he told the Global Times in a previous interview. "The threshold for understanding The Odyssey is extremely high, and it doesn't fit the broad popcorn audience."
The appeal of premium formats is not limited to The Odyssey. Several films in China's summer movie season have also embraced IMAX and other high-end formats, giving audiences more options for immersive theatrical experiences.
Once Upon a Time in the Middle East, which has grossed more than 850 million yuan at the box office and is projected to surpass 2.5 billion yuan, according to Maoyan, was specially shot for IMAX.
Rather than relying on grand battle scenes, the film is set almost entirely in a small Chinese restaurant in war-torn Iraq in 2003. Played by Shen Teng, Xu Fu is a chef looking to make a living abroad and find a quiet life. But when war suddenly erupts, he and restaurant manager Ma Junsheng, played by Jiang Qiming, choose to keep the kitchen running, serving authentic Chinese dishes and creating a safe haven for local civilians and children amid the chaos.
The film uses IMAX's large screen to present the warmth of everyday life and the details of the restaurant with greater clarity and immersion.
The Odyssey, meanwhile, uses IMAX film cameras to bring the epic scale of Homer's poem to the big screen with sweeping and visually striking imagery. All Wishes Come True! is also available in premium formats including IMAX, Dolby and CINITY, using enhanced audiovisual technology to amplify its visual effects and emotional atmosphere and help drive box-office growth, according to China's state media CCTV.
As more films made for premium formats continue to draw audiences, high-end theaters equipped with IMAX, CINITY and other technologies are seeing increased demand, giving moviegoers a wider range of viewing options.
Film industry experts said audiences are no longer satisfied simply with being able to watch a movie, but increasingly want to "watch a good movie" and "experience a film in an immersive environment."
。 7月21日，在“活力中国调研行”江苏站，21世纪经济报道记者实地走访长三角碳纤维及复合材料技术创新中心（以下简称“创新中心”）了解到，碳纤维拉索已应用于桥梁领域。
三 | （长三角碳纤维及复合材料技术创新中心展示的碳纤维材料拉索，柳宁馨/摄） “在大桥建设中，传统钢索服役寿命约25年，而碳纤维拉索服役寿命可达100年，维护成本更低。同时，碳纤维重量更轻，可进一步提升桥梁跨度，为跨海大桥建设提供更加经济、安全的解决方案。”长三角碳纤维及复合材料技术创新中心热塑性复材首席科学家咸贵军向记者介绍。 咸贵军表示，碳纤维作为关键战略材料，曾长期面临国外封锁和垄断，一度成为制约我国高端制造发展的重要瓶颈。近年来，我国碳纤维及复合材料产业发展迅速，创新中心正围绕桥梁拉索等典型应用场景，加快推动碳纤维材料产业化应用。
四 | 如今，常州依托产业基础，加快布局先进复合材料产业，碳纤维及复合材料产业已成为当地未来产业发展的重要支撑。 作为这一产业的重要创新平台，长三角碳纤维及复合材料技术创新中心由常州市人民政府、江苏省产业技术研究院和常州国家高新区管委会共同组建成立，聚焦航空航天、土木工程结构、关键装备等领域的新材料研发与应用。
五 | 据咸贵军介绍，创新中心重点开展先进碳纤维、高性能与多功能复合材料、装备轻量化、异质材料连接、全寿命周期评价与循环应用等关键技术攻关，着力破解碳纤维及复合材料领域“卡脖子”难题，推动创新资源集聚和产业协同发展。
六 | 不过，创新中心成立之初也面临成果转化与落地的难题。
七 | 咸贵军介绍，研究团队在工程复材、航空复材等领域具有较强科研实力，解决了一系列“0到1”的基础科学问题，但产业化仍需突破技术放大、稳定性等“1到10”的关键环节，如何推动科研成果快速走向产业，成为中心必须破解的问题。 因此，创新中心在持续开展基础研究与应用技术研发的同时，进一步完善中试平台，并用好“拨投结合”机制，推动财政资金与社会资本协同，通过内生培育项目、研发资金支持等方式，推动科研成果从实验室走向产业化应用，打通成果转化“最后一公里”。 目前，创新中心一方面承担国家“十四五”重点研发计划项目、国家自然科学基金项目、省重点基金项目等基础研究项目，另一方面承担多项重大横向课题，解决产业技术问题，并推动原创技术产业化落地和产业化公司的成立，为长三角碳纤维及复合材料产业持续发展提供创新支撑。 （视频剪辑：实习生陈迎禧）。
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